Thursday, April 19, 2012
NEWS: Nikon updates entry-level DSLR with 24MP D3200 and optional WiFi
Nikon has announced the D3200 24MP entry-level DSLR that can be used with an optional WU-1a Wi-Fi module. The camera can now shoot up to 1080p30 video (rather than the D3100's 24p) and has a 920k dot LCD, up from 230k dots. Beyond this, and improved continuous shoot rate despite the pixel-count hike, the biggest change is the ability to add the Wi-Fi unit. The WU-1a will sell for a recommended sale price of $59.95/£54.99/€59 and will be able to broadcast to smartphones over a 49ft range. The D3200 is expected in late April at an MSRP of $699.95/£649.99/€699.
The WU-1a will be available from May and will initially support image upload and remote viewing/shutter release with a free app for Android phones (version 2.3 and newer). An iOS version of the app will follow later in the year. Details are vague but we're told the app allows full-sized or VGA images to be transferred from the camera and that a live preview is available on the phone, but with only the ability to fire the trigger, not change camera settings.
Press Release:
MELVILLE, N.Y. (APRIL 19, 2012) – Today, imaging leader Nikon Inc. introduced the new 24.2-megapixel Nikon D3200 HD-SLR; a camera designed for photo enthusiasts ready to step up to a D-SLR or for the busy family memory keeper with an active lifestyle who demands a camera that can keep pace. From low-light to fast action, the D3200 delivers the amazing image quality Nikon is known for, either indoors or outside. Whether new to photography or upgrading from a point-and-shoot, the D3200 features Nikon's acclaimed instructive Guide Mode to help unleash the photographer in everyone. From candid action shots to staged portraits that flatter, the Nikon D3200 provides the power to capture every moment easily and beautifully with stellar image quality and in stunning Full HD (1080p) video.
Ready to tag along for any outing, the Nikon D3200's compact, lightweight body makes it easy to pack for a quick day trip or the long haul. A host of advanced features, including a super high resolution 24.2-megapixel DX-format CMOS sensor, Full HD (1080p) video recording with full time autofocus (AF) and 4 frames-per-second (fps) high-speed continuous shooting mode, prepare the D3200 for challenging lighting conditions and fast paced action. Also, Nikon D3200 users will be able to take advantage of the new WU-1a Wireless Mobile Adapter. When connected to the camera, this optional adapter can wirelessly send images to mobile devices like smartphones and tablets, preview an image before shooting and control the camera remotely.
"When every moment is as precious as the next one, having a camera that takes the guesswork out of photography is important," said Bo Kajiwara, director of marketing, Nikon Inc. "The Nikon D3200 HD-SLR offers effortless functionality and easy-to-use connectivity to mobile devices that answers the call for a capable, entry-level D-SLR that will change how you share amazing images with your friends and family."
The Nikon D3200 grants users impressive performance in low-light, affording the ability to shoot with assurance even during night games and school plays. With a native ISO range that extends from ISO 100 to 6400, the D3200 can also be expanded to a high of ISO 12,800 for extreme low-light situations resulting in previously impossible photos. Additionally, Nikon's Scene Recognition System works in tandem with the camera's 3D Color Matrix Metering II to recognize factors such as color and brightness for balanced exposures, accurate AF, faithful white balance and beautiful flash photos.
Further taking the guesswork out of photography, the D3200 also includes six Scene Modes. Photographers can set the Mode Dial to Portrait, Landscape, Child, Sports, Close-Up or Night Portrait, and the D3200 will automatically adjust camera settings for optimal results in a variety of conditions.
Continuing down the path that its predecessor, the Nikon D3100, started, the D3200 implements full-time AF during video recording to help capture crisp video even during the most action-packed situations. To boost the production value of any home video, the camera offers manual or automatic exposure control, and a stereo microphone input to attach an optional external microphone such as the compact ME-1 Stereo Microphone. Furthermore, the D3200 offers other HD-SLR advantages including the ability to create a shallow depth of field, amazing low-light video performance and NIKKOR lens versatility.
Capturing videos on the D3200 is simple, even when in Live View. With a dedicated video record button and easy access to the Live View switch, users can capture video clips before the moment is gone. Additionally, videos play with astonishing detail and clarity on the D3200's 3-inch, high resolution 921,000-dot LCD screen.
The Nikon D3200's power is amplified when combined with the versatility of Nikon's legendary NIKKOR optics and powerful accessories. Compatible with Nikon's dedicated DX-format lenses and over 50 FX-format lenses as well as Nikon's Speedlight System, the Nikon D3200 puts creativity at the user's fingertips. The optional WU-1a Wireless Mobile Adapter for the D3200 allows the connected user to easily share photos taken on the D3200 to an Android™ platform based smartphone or tablet, so friends and family can enjoy the moment almost as quickly as it happens.1 Android platform users are able to wirelessly transfer images from the camera to a mobile device, preview the image before shooting photos, and even remotely control the camera from up to 49 feet. The Application for use with an Android platform smartphone (2.3 series) and tablet (3.x series) is expected for release in May 2012.2 Additionally, an Application for the iPhone® and iPad® mobile digital device is expected for release in Fall 2012.3
The WU-1a will be available from May and will initially support image upload and remote viewing/shutter release with a free app for Android phones (version 2.3 and newer). An iOS version of the app will follow later in the year. Details are vague but we're told the app allows full-sized or VGA images to be transferred from the camera and that a live preview is available on the phone, but with only the ability to fire the trigger, not change camera settings.
Press Release:
SIMPLY STUNNING: THE NEW NIKON D3200 IS THE SIMPLE WAY TO CHRONICLE MEMORIES WITH SUPERIOR IMAGE AND HD VIDEO QUALITY
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The Nikon D3200 Provides New D-SLR Shooters a Powerful Combination of Effortless Operation, 24.2-Megapixel High Resolution and Wireless Connectivity to Mobile Devices
Ready to tag along for any outing, the Nikon D3200's compact, lightweight body makes it easy to pack for a quick day trip or the long haul. A host of advanced features, including a super high resolution 24.2-megapixel DX-format CMOS sensor, Full HD (1080p) video recording with full time autofocus (AF) and 4 frames-per-second (fps) high-speed continuous shooting mode, prepare the D3200 for challenging lighting conditions and fast paced action. Also, Nikon D3200 users will be able to take advantage of the new WU-1a Wireless Mobile Adapter. When connected to the camera, this optional adapter can wirelessly send images to mobile devices like smartphones and tablets, preview an image before shooting and control the camera remotely.
"When every moment is as precious as the next one, having a camera that takes the guesswork out of photography is important," said Bo Kajiwara, director of marketing, Nikon Inc. "The Nikon D3200 HD-SLR offers effortless functionality and easy-to-use connectivity to mobile devices that answers the call for a capable, entry-level D-SLR that will change how you share amazing images with your friends and family."
Stunning Images to Last a Lifetime
The new Nikon D3200 delivers outstanding image quality no matter the user's skill level by leveraging Nikon's renowned technologies. The new 24.2-megapixel DX-format CMOS sensor allows for incredibly sharp images with stunning detail and less noise, while Nikon's EXPEED 3™ image processing engine helps to create clear, lifelike images and video with vivid colors, smooth tonal gradations and low noise.The Nikon D3200 grants users impressive performance in low-light, affording the ability to shoot with assurance even during night games and school plays. With a native ISO range that extends from ISO 100 to 6400, the D3200 can also be expanded to a high of ISO 12,800 for extreme low-light situations resulting in previously impossible photos. Additionally, Nikon's Scene Recognition System works in tandem with the camera's 3D Color Matrix Metering II to recognize factors such as color and brightness for balanced exposures, accurate AF, faithful white balance and beautiful flash photos.
Effortless Operation
Beginner photographers as well as those looking to expand their repertoire of shooting techniques will appreciate the Nikon D3200's Guide Mode which provides step-by-step photo instructions to capture amazing images. Easily accessible through the Mode Dial found on top of the camera body, the Guide Mode walks beginning D-SLR users through the process of set-up, shooting, viewing and deleting images. Because it asks the user what kind of creative photo technique they would like to learn, the Guide Mode has been widely acclaimed for its ability to build confidence and give users the tools to create amazing images. As more people discover the benefits of replacing their camcorder with a D-SLR, the Guide Mode also walks users through the best video settings to create home movies with blockbuster flair. For those with a more advanced skill level, the Guide Mode features helpful Assist Images that serve as a visual reference to inspire users and illustrate the desired result, while guiding them through easy-to-follow techniques.Further taking the guesswork out of photography, the D3200 also includes six Scene Modes. Photographers can set the Mode Dial to Portrait, Landscape, Child, Sports, Close-Up or Night Portrait, and the D3200 will automatically adjust camera settings for optimal results in a variety of conditions.
Beautiful Home Movies in Full HD
When images alone can't tell the whole story, the Nikon D3200 offers the full HD experience of high quality 1080p video. Users can create memorable, cinematic quality videos at 24 or 30 fps and easily share HD content online with friends and family or on their own HDTV via the HDMI output.Continuing down the path that its predecessor, the Nikon D3100, started, the D3200 implements full-time AF during video recording to help capture crisp video even during the most action-packed situations. To boost the production value of any home video, the camera offers manual or automatic exposure control, and a stereo microphone input to attach an optional external microphone such as the compact ME-1 Stereo Microphone. Furthermore, the D3200 offers other HD-SLR advantages including the ability to create a shallow depth of field, amazing low-light video performance and NIKKOR lens versatility.
Capturing videos on the D3200 is simple, even when in Live View. With a dedicated video record button and easy access to the Live View switch, users can capture video clips before the moment is gone. Additionally, videos play with astonishing detail and clarity on the D3200's 3-inch, high resolution 921,000-dot LCD screen.
A Camera to Keep Pace with an Energetic Existence
An active lifestyle requires a capable camera that is ready at a moment's notice, and the Nikon D3200 packs powerful technology to tackle just about any challenge. Delivering up to 4 fps in high-speed continuous shooting mode, the D3200 helps ensure that important, spontaneous and easy-to-miss memories are captured, from a baby's first smile to a game winning grand slam. Additionally, the D3200's advanced 11-point AF system allows the user to find and keep focus while maintaining a clear view of that subject. This advanced focusing system is ideal for capturing tricky subjects like a dancer mid-leap during the big recital or a dive for the line drive in centerfield.The Nikon D3200's power is amplified when combined with the versatility of Nikon's legendary NIKKOR optics and powerful accessories. Compatible with Nikon's dedicated DX-format lenses and over 50 FX-format lenses as well as Nikon's Speedlight System, the Nikon D3200 puts creativity at the user's fingertips. The optional WU-1a Wireless Mobile Adapter for the D3200 allows the connected user to easily share photos taken on the D3200 to an Android™ platform based smartphone or tablet, so friends and family can enjoy the moment almost as quickly as it happens.1 Android platform users are able to wirelessly transfer images from the camera to a mobile device, preview the image before shooting photos, and even remotely control the camera from up to 49 feet. The Application for use with an Android platform smartphone (2.3 series) and tablet (3.x series) is expected for release in May 2012.2 Additionally, an Application for the iPhone® and iPad® mobile digital device is expected for release in Fall 2012.3
Price and Availability
The Nikon D3200 outfit with the versatile AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR image stabilization lens will be available in late April 2012 for a suggested retail price (SRP) of $699.95* in either Black or Red. The optional WU-1a Wireless Mobile Adapter, sold separately, will be available in late May 2012 for a suggested retail price (SRP) of $59.95*. For more information on the Nikon D3200, NIKKOR lenses, additional Nikon D-SLR cameras and accessories, please visit www.nikonusa.com.| Additional images |
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| Nikon WU-1a optional Wi-Fi unit Source: http://www.dpreview.com |
| WU-1a attached to D3200 |
REVIEW: Hands-on with Samsung NX20, heading refreshed lineup with NX210 and NX1000
Samsung has completely refreshed its NX series with a range of Wi-Fi-connected cameras, the NX20, NX210 and NX1000. The NX20 and NX210 replace the NX10 and NX200, while the NX1000 broadens the range with a less expensive, entry-level option. All three cameras are built around the company's 20MP sensor, can shoot at up to 8fps and capture Full HD 1080p24 movies. The NX20 features a high-res SVGA electronic viewfinder and swivel, 'Clear' AMOLED screen with no air gap between the display panel and the protective glass, for improved reflection resistance. The NX210 has the same (non-Clear) AMOLED screen as its predecessor, while the NX1000 has a VGA display.
All three cameras offer an interesting HD movie mode that shoots a super-wide 2.35:1 aspect ratio (the aspect ratio that many pre-1970 movies were projected in), by shooting Full HD cropped down to 1920 x 810 pixels. It shoots this Cinema movie mode at the equally cinematic 24fps.
Press Release:
BEIJING, China – April 19, 2012 – Samsung Electronics Co., Ltd, a global leader in digital media and digital convergence technologies is breaking new ground with its award-winning NX series with three new compact system cameras (CSC) that pioneer built-in Wi-Fi connectivity: the NX1000, NX210 and NX20. Now professional quality images can be easily captured, shared and stored straight from your camera - wherever you are in the world.
All three cameras offer an interesting HD movie mode that shoots a super-wide 2.35:1 aspect ratio (the aspect ratio that many pre-1970 movies were projected in), by shooting Full HD cropped down to 1920 x 810 pixels. It shoots this Cinema movie mode at the equally cinematic 24fps.
Press Release:
Capture, connect and share with a Samsung SMART CAMERA
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Share life in perfect detail with the NX1000, NX20 and NX210 - the world’s first SMART compact system cameras with built-in Wi-Fi connectivity
Introducing the NX1000, NX210 and NX20
The innovative additions to Samsung’s NX range represent the future in CSC technology: SMART cameras with in-built Wi-Fi technology that allow users to connect to wireless networks without any additional cards or devices. Full Wi-Fi connectivity is complemented by an impressive range of features, continuing the heritage of innovation that the NX series has been consistently recognized for since the launch of the NX10 in 2010.
As standard, all three NX models feature a 20.3 Megapixel APS-C CMOS sensor, developed in-house by Samsung to give high quality images in rich color and detail. They are also fully compatible with the NX series’ unique i-Function system, enabling users to control parameters using the lens itself, adjusting the image without ever having to move off target. With Samsung’s range of nine lenses and professional standard accessories, the NX eco-system ensures that all imaging ambitions can be realised, whatever the user’s photographic speciality or interest.
Enhancing Samsung’s 2012 SMART CAMERA ecosystem, these latest additions to the NX range have been designed to satisfy the ambitions of users of all abilities, whether an experienced professional or someone just looking to trade-up from their point-and-shoot.
The NX1000 is highly portable and its eye-catching compact design makes it as useable as it is attractive. Available in stunning White, classic Black or eye-catching Pink it houses a feature-rich range of specs, with technology such as Smart Auto 2.0 and the Smart Link Hot Key, making it simpler than ever to shoot and share great images instantly.
The NX210 follows the NX’s design heritage, with a premium metallic finish. Like its predecessor the NX200, the NX210 also offers a 3.0” AMOLED display for viewing images and Full HD movies in brilliant resolution. With easy access to Wi-Fi functions, the NX210 allows quick sharing with friends and family, whilst with Samsung Mobile Link users can show off their best images on phones and tablets, or on the big screen with TV Link connecting the NX210 wirelessly to internet-enabled TVs.
The NX20 is the perfect match for enthusiast amateur or professional photographers looking for a highly portable camera that gives the professional look and feel of a DSLR but at a fraction of the size and weight, with the addition of an ergonomic grip to fit comfortably into the hand. Delivering impressive speed with its 1/8000s Fast Shutter, breath-taking images are shown on its clear 3.0” clear AMOLED swivel display, increasing visibility by approximately 20%. The NX20 also incorporates a range of functions and manual controls in order to deliver pro-standard pictures every time, including SVGA EVF so users can frame images like a professional.
In-Built Wi-Fi for simple sharing and saving
With Samsung’s latest SMART features, users can share pictures at the touch of a button, uploading to social networks including Facebook and Picasa, or emailing them to friends and family – all straight from their new NX camera. The cameras also offer further options for capturing and displaying images via other devices, including the ability to link to a Samsung smartphone and use as a remote viewfinder, and - with the Samsung Mobile Link function - to display images on devices such as tablets or internet-enabled TV.
Creative control at the touch of a button
Pictures shared on the spur of the moment are no longer restricted to simply shooting and sending - with the creative features of the new NX cameras, Facebook pictures can be artistic without ever going near a computer. The ten Smart Filters and added Selective Color function, for example, mean that users can adjust the look and feel of shots as they take them. In addition, all three cameras also feature Panorama and 3D Panorama, allowing the whole story to be told in one complete picture. With the Smart Panel featured on all the new models, settings and features can be easily accessed and applied, making creative photography easier than ever.
Mr. Myoung Sup Han, Senior Vice President and Head of the Digital Imaging Business, Samsung Electronics, commented: “The three new additions to the NX range mark an evolution in Samsung’s SMART CAMERA offering, demonstrating our understanding that digital imaging is about sharing the best moments with family and friends, and not only about taking great pictures. Samsung is paving the way, introducing the world’s first SMART Compact-System-Cameras for professional standard images that are worth sharing.”
“With the inclusion of in-built Wi-Fi connectivity, our customers can now share pictures and videos straight from their NX camera. More importantly, however, the NX camera’s wireless connectivity does not mean sacrificing fantastic image quality – you can now have the best of both at your fingertips. This dedication to innovation will make Samsung a leader in the SMART CAMERA market.”
Samsung NX20, NX210 and NX1000 specifications
| Samsung NX20 | Samsung NX210 | Samsung NX1000 | |
|---|---|---|---|
| Body type | |||
| Body type | Rangefinder-style mirrorless | ||
| Sensor | |||
| Max resolution | 5472 x 3648 | ||
| Other resolutions | 5472 x 3080, 3888 x 2592, 3712 x 2088, 3648 x 3648, 2976 x 1984, 2944 x 1656, 2736 x 1824, 2640 x 2640, 2000 x 2000, 1920 x 1080, 1728 x 1152, 1024 x 1024 | ||
| Image ratio w:h | 1:1, 3:2, 16:9 | ||
| Effective pixels | 20.3 megapixels | ||
| Sensor photo detectors | 21.6 megapixels | ||
| Sensor size | APS-C (23.5 x 15.7 mm) | ||
| Sensor type | CMOS | ||
| Color space | sRGB, Adobe RGB | ||
| Color filter array | Primary Color Filter | Primary Color Filter | |
| Image | |||
| ISO | Auto, 100, 200, 400, 800, 1600, 3200, 6400, 12800 | ||
| White balance presets | 8 | ||
| Custom white balance | Yes (1) | ||
| Image stabilization | No | ||
| Uncompressed format | RAW | ||
| JPEG quality levels | Normal, Fine, Superfine | ||
| File format |
| ||
| Optics & Focus | |||
| Autofocus |
| ||
| Autofocus assist lamp | Yes | ||
| Digital zoom | Yes (1.2x, 1.4, 1.7, 2.0 Intelli-Zoom) | ||
| Manual focus | Yes | ||
| Number of focus points | 15 | ||
| Lens mount | Samsung NX mount | ||
| Focal length multiplier | 1.5× | ||
| Screen / viewfinder | |||
| Articulated LCD | Fully articulated | Fixed | |
| Screen size | 3" | ||
| Screen dots | 614,000 | 921,000 | |
| Touch screen | No | ||
| Screen type | Active Matrix OLED screen | TFT LCD | |
| Live view | Yes | ||
| Viewfinder type | Electronic | None | |
| Viewfinder coverage | 100 % | ||
| Viewfinder magnification | 1.04× | ||
| Photography features | |||
| Minimum shutter speed | 30 sec | ||
| Maximum shutter speed | 1/8000 sec | 1/4000 sec | |
| Exposure modes |
| ||
| Scene modes |
| ||
| Built-in flash | Yes (Pop-up ) | No | |
| Flash range | 11 m | ||
| External flash | Yes (via Hot-shoe with optional SEF-42A, SEF220A ) | Yes (via Hot-shoe with bundled SEF8A or optional SEF-42A, SEF220A ) | Yes (Hot-shoe, SEF8A) |
| Flash modes | Auto, On, Off, Red-eye, Fill-in, 1st/2nd Curtain, Smart Flash, Manual | ||
| Flash X sync speed | 1/180 sec | ||
| Drive modes |
| ||
| Continuous drive | Yes (8, 3 fps) | ||
| Self-timer | Yes (2 sec to 30 sec) | ||
| Metering modes |
| ||
| Exposure compensation | ±3 EV (at 1/3 EV, 1/2 EV steps) | ||
| AE Bracketing | ±3 (3 frames at 1/3 EV, 1/2 EV steps) | ||
| WB Bracketing | Yes (3 frames from +/-1 to +/-3 in either blue/amber or magenta/green axis) | ||
| Videography features | |||
| Format |
| ||
| Microphone | Stereo | ||
| Speaker | Mono | ||
| Resolutions | 1920 x 1080 (30 fps), 1920 x 810 (24 fps) 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | ||
| Videography notes | Multi-motion recording : x0.25 (640, 320 only), x0.5 (1280, 640, 320 only), x5, x10, x20 | ||
| Storage | |||
| Storage types | SD/SDHC/SDXC | ||
| Storage included | None | ||
| Connectivity | |||
| USB | USB 2.0 (480 Mbit/sec) | ||
| HDMI | Yes | ||
| Wireless | BuiltIn | ||
| Remote control | Yes (Optional SR2NX02) | ||
| Physical | |||
| Environmentally sealed | No | ||
| Battery | Battery Pack | ||
| Battery description | Lithium-Ion BP1310 battery & charger | Lithium-Ion BC1030 battery & charger | |
| Battery Life (CIPA) | 360 | 330 | 320 |
| Weight (inc. batteries) | 341 g (0.75 lb / 12.03 oz) | 222 g (0.49 lb / 7.83 oz) | |
| Dimensions | 122 x 90 x 40 mm (4.8 x 3.54 x 1.57") | 117 x 63 x 37 mm (4.61 x 2.48 x 1.46") | 114 x 63 x 37 mm (4.49 x 2.48 x 1.46") |
| Other features | |||
| Orientation sensor | Yes | ||
| GPS | Optional | ||
| GPS notes | WGS84 | ||
Additional images
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| Samsung NX210 |
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| Samsung NX1000 Source: http://www.dpreview.com |
NEWS: Samsung brings smartphone-connected Wi-Fi to NX series
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| Samsung's new NX range consists of three cameras, the NX20, NX210, and NX1000, all of which feature 20MP capture and built-in WiFi Connectivity. |
The new NX lineup consists of three models - the NX20, which replaces the NX10, the NX210, which replaces last year's popular NX200, and an entirely new NX, the NX1000, which is aimed at beginner photographers and compact camera upgraders. As well as sharing the same 20MP CMOS sensor, all three of the new NX models feature Wi-Fi connectivity.
The NX models share the 'Smart Camera' capabilities with the compact models announced earlier this year. This means they can be set to automatically back-up images every time you come back into range of your home Wi-Fi network and allow control of the camera via a 'remote viewfinder' app on compatible smartphones. There are also options for uploading to various 'cloud'-based back-up sites, to ensure both peace-of-mind and accessibilty of your images.
 | When you enter 'Wi-Fi' mode with the NX20, NX210 and NX1000 you'll see this screen. This is where you can select what you want to do with your pictures - among other options you can send them to a smartphone or tablet, email them, stream them to a television, or share them on social networking sites. |
Samsung's latest Wi-Fi-equipped cameras can connect either via a wireless Internet router or directly to another device. This allows users to email images and share them on Facebook straight from the camera, via an internet hotspot. Alternatively, it allows photographers to browse images from their camera directly on a Wi-Fi-equipped AllShare or DLNA enabled television, or via an Android smartphone using Samsung's 'MobileLink' app. At our meeting in Seoul we asked the assembled executives for their vision of what the company is calling its 'Smart Camera Ecosystem'.
'Digital life starts with the content creator'
Nyunwoo Nam - marketing manager for the NX range told us that putting Wi-Fi into Samsung's mirrorless cameras is a logical next step. In his opinion, he explained, 'digital life starts with the content creator, the photographer who takes his or her images and then shares them. For the past couple of years Samsung has been communicating to users the fact that cameras aren't just for taking pictures, they are evolving to be used as sharing devices. Nam added 'with the addition of Wi-Fi to our NX range, users have a more convenient way to share their stories'. |
| Like other recently-announced compact cameras from Samsung, the new NX range is intended to fit into a connected 'ecosystem'. The new NX1000 (pictured) makes sharing very easy thanks to a direct Wi-Fi button on the camera's top plate, which initiates a menu for sharing with one touch. |
'The camera is becoming a communication tool'
So is the future one in which we're connected to everything, all the time? Byounjae Jin, principle engineer in Samsung's R&D department thinks that it is. 'People should know this already' he told us - 'this is the entire concept of devices like smartphones and it makes sense'.It seems that Samsung doesn't envisage smartphones and cameras converging completely though - at least not yet. According to Sunhong Lim - VP Sales & Marketing, Samsung 'wants people to use their cameras and smartphones together'. He explained 'the camera is becoming a communication tool - a vehicle for communicating with others [but] phones and camera are separate products - they will co-exist'.
Source: http://www.dpreview.com
NEWS: Nikon announces AF-S Nikkor 28mm F1.8 G
Nikon has announced the AF-S Nikkor 28mm f/1.8 G, a fast wideangle lens for full frame SLRs such as the D800. It uses two aspherical elements in its 11 element / 9 group construction, along with Nano Crystal Coat to combat flare and ghosting. It can also be used on DX format cameras, giving a 42mm-equivalent 'normal' angle of view. It will be available from the end of May 2012 at a suggested retail price of $699.95.
MELVILLE, N.Y. (April 19, 2012) – Today, Nikon Inc. announced the wide-angle AF-S NIKKOR 28mm f/1.8G, a fixed focal length lens with a large maximum aperture to carry on the legacy of superior NIKKOR imaging technology for enthusiasts and professionals. With a large maximum aperture of f/1.8 and Nikon's exclusive Nano Crystal Coat to reduce ghost and flare, the 28mm FX-format lens offers stunning sharpness and versatility for both photos and HD video.
"This NIKKOR lens is the latest addition to the popular family of f/1.8 primes designed to give HD-SLR shooters the performance and versatility needed to capture images and HD video with outstanding image quality," said Bo Kajiwara, director of marketing, Nikon Inc. "The new AF-S NIKKOR 28mm f/1.8G is a great way for photographers to discover a high-quality, wide-angle prime lens that provides amazingly crisp focus and natural background blur."
Professional and enthusiast HD-SLR photographers will appreciate the 28mm f/1.8G's wide-angle versatility and enjoy the sharp focus and lightweight yet durable construction befitting a NIKKOR lens. The lens' Nano Crystal Coat prevents ghosting and flare and helps produce spectacular high-resolution photos and HD video in even the most challenging lighting conditions. This 28mm lens also features a large f/1.8 maximum aperture, giving the photographer the ability to effortlessly highlight natural background image blur.
The 28mm f/1.8G's construction and optical formula is deep-rooted with NIKKOR core technology to ensure the highest level performance and versatility for the most demanding imaging applications. Featuring eleven optical elements in nine groups with two aspherical elements, the 28mm f/1.8G is designed to be a compact and durable lens maximized for versatility. Additionally, the new 28mm lens is able to resolve high resolution images with amazing sharpness and clarity, making it an ideal companion for the new 36.3-megapixel Nikon D800 HD-SLR. Professionals and enthusiasts are offered complete lens control with two focus modes, (M) manual and (M/A) autofocus with manual override that allow the photographer to tailor their focus for any shooting scenario. The 28mm f/1.8G lens is also equipped with a Silent Wave Motor (SWM) allowing for smooth, silent and precise autofocus operation essential for capturing pristine HD video.
Source: http://www.dpreview.com
NIKON'S NEW AF-S NIKKOR 28MM F/1.8G LENS MAKES WIDE-ANGLE AND FAST APERTURE AN ATTAINABLE REALITY
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New NIKKOR Lens is the Latest Addition to Popular Series of FX-format f/1.8 Prime Lenses
"This NIKKOR lens is the latest addition to the popular family of f/1.8 primes designed to give HD-SLR shooters the performance and versatility needed to capture images and HD video with outstanding image quality," said Bo Kajiwara, director of marketing, Nikon Inc. "The new AF-S NIKKOR 28mm f/1.8G is a great way for photographers to discover a high-quality, wide-angle prime lens that provides amazingly crisp focus and natural background blur."
Professional and enthusiast HD-SLR photographers will appreciate the 28mm f/1.8G's wide-angle versatility and enjoy the sharp focus and lightweight yet durable construction befitting a NIKKOR lens. The lens' Nano Crystal Coat prevents ghosting and flare and helps produce spectacular high-resolution photos and HD video in even the most challenging lighting conditions. This 28mm lens also features a large f/1.8 maximum aperture, giving the photographer the ability to effortlessly highlight natural background image blur.
The 28mm f/1.8G's construction and optical formula is deep-rooted with NIKKOR core technology to ensure the highest level performance and versatility for the most demanding imaging applications. Featuring eleven optical elements in nine groups with two aspherical elements, the 28mm f/1.8G is designed to be a compact and durable lens maximized for versatility. Additionally, the new 28mm lens is able to resolve high resolution images with amazing sharpness and clarity, making it an ideal companion for the new 36.3-megapixel Nikon D800 HD-SLR. Professionals and enthusiasts are offered complete lens control with two focus modes, (M) manual and (M/A) autofocus with manual override that allow the photographer to tailor their focus for any shooting scenario. The 28mm f/1.8G lens is also equipped with a Silent Wave Motor (SWM) allowing for smooth, silent and precise autofocus operation essential for capturing pristine HD video.
Price and Availability
The AF-S NIKKOR 28mm f/1.8G lens will be available at the end of May 2012 for the suggested retail price (SRP) of $699.95*. For more information please visit www.nikonusa.com.AF-S Nikkor 28mm F1.8 G Specifications
| Principal specifications | |
|---|---|
| Lens type | Prime lens |
| Max Format size | 35mm FF |
| Focal length | 28 mm |
| Image stabilisation | No |
| Lens mount | Nikon F (FX) |
| Aperture | |
| Maximum aperture | F1.8 |
| Minimum aperture | F16.0 |
| Aperture ring | No |
| Number of diaphragm blades | 7 |
| Optics | |
| Elements | 11 |
| Groups | 9 |
| Special elements / coatings | 2 aspherical lens elements and lens elements with Nano Crystal Coat |
| Focus | |
| Minimum focus | 0.25 m (9.84") |
| Maximum magnification | 0.22 x |
| Autofocus | Yes |
| Motor type | Ring-type ultrasonic |
| Full time manual | Yes |
| Focus method | Internal |
| Distance scale | Yes |
| Physical | |
| Weight | 330 g (0.73 lb) |
| Diameter | 73 mm (2.87") |
| Length | 81 mm (3.17") |
| Sealing | No |
| Colour | Black |
| Filter thread | 67 mm |
| Hood supplied | Yes |
| Hood product code | HB-64 |
| Tripod collar | No |
Source: http://www.dpreview.com
Monday, April 16, 2012
Nikon Coolpix P310 Review
The Nikon Coolpix P310 is virtually identical to its predecessor, the P300, in terms of its external design and looks, with the main change being the addition of a Function button to the front of the camera. You can easily carry the P310 around in a trouser or shirt pocket, as it measures 103.0 x 58.3 x 32.0 mm and weighs less than 200g with the battery and memory card fitted. The P310 is marginally bigger than the Canon PowerShot S100, but quite a bit smaller than the Panasonic Lumix LX5 and the Olympus XZ-1, although all of these models are still eminently pocketable.
The P310 has a 4.2x zoom lens with a versatile focal range of 24-100mm, more than wide enough for sweeping landscapes yet still offering enough reach for head and shoulder portraits. The lens has a headline-grabbing maximum aperture of f/1.8 at the wide-angle setting, but this quickly drops off as you move through the focal range, reaching a disappointingly slow aperture of F/4.9 at 100mm, which prevents nicely blurred backgrounds from being recorded at the longer telephoto settings. Also note that because of the smaller 1/2.3" sensor, the size employed by the vast majority of compacts, the P310 doesn't blur the background as much as the Olympus XZ-1 at the same aperture of F/1.8, although it does deliver good results for a "regular" compact. The P310 feels quite solidly constructed yet at the same time lightweight, with a magnesium alloy chassis and similarly high levels of build quality that you find on Nikon's more expensive cameras.
The front of the Nikon Coolpix P310 features the aforementioned 4.2x zoom lens. Nikon have included their VR (Vibration Reduction) image stabilisation system to help prevent camera-shake, an increasingly de-facto feature on a lot of high-end compact cameras. Annoyingly there isn't a dedicated button to turn it on and off (it's somewhat buried in the Setup menu). In practice I found that the VR system makes a noticeable difference to the sharpness of the images, as shown in the examples on the Image Quality page. You don't notice that the camera is actually doing anything different when anti-shake is turned on, just that you can use slower shutter speeds than normal and still take sharp photos. It didn't seem to adversely affect the battery life either, which is around 230 shots, so I'd advise you to turn it on and then forget about it.
Top-left of the lens is a single bulb which doubles-up as the self timer and the AF assist lamp. Also on the front of the P310 is a small but helpful vertical rubber strip that acts as a handgrip for your right hand, with enough room for two fingers. Used in conjunction with the similarly textured thumb-grip on the rear, it allows you to get a secure grip the camera and be able to confidently use it one-handed. The Function button is a new and helpful addition to the front of the P310. This is a customisable button that can be set to one of seven key camera settings, although in the absence of a dedicated ISO control on the rest of the camera, we'd strongly suggest that you set it to this.
Maximum resolution JPEGS are stored by the Nikon Coolpix P310 in a couple of seconds. In continuous shooting mode it can capture 6 frames per second when shooting Fine sized JPEGs, albeit only for 5 images, so you can never actually achieve the headline rate in practice in terms of the number of shots that are taken. There's also a slower rate of to 30 full-resolution shots at 1 fps. Disappointingly the P310 still doesn't support the RAW file format, something that all of its main competitors offer, and a prosumer feature that frankly we'd expect on this class of camera.
The P310 has a small and neat built-in flash, activated by a switch on the side of the camera, which pops-up above-right of the lens and therefore provides a little more clearance and less chance of unwanted red-eye in your photos. We found that the built-in flash unit was fine for a bit of fill-in, with respectably quick recycle times and adequate range. Also located on top of the P310 are left and right microphones for the stereo sound, then a Shooting mode dial, similar to what you'd find on a consumer-level DSLR. Ranged around this are settings for the Auto, Program Auto, Shutter Priority, Aperture Priority and Manual, plus the Night Landscape and Scene modes. New to the P310 is the U option, which stands for User Settings. This allows you to access a saved menu settings configuration, allowing you to quickly swap between the camera's current settings and a preconfigured one. The action of the dial itself is slightly stiff, meaning that you reach each chosen setting with a definite click and avoid accidentally shooting past the one that you wanted.
In the Backlighting mode, the P310 captures three consecutive shots at varying exposures and combines them into a single photo with a broader range of tones. Three different HDR settings are available for selection. When the Night Landscape scene mode is selected, the P310 takes several shots at a fast shutter speed and then combines them to create a single optimized photo, allowing you to shoot after dark without having to use a tripod. The Easy Panorama scene mode allows you to take vertical or horizontal panorama photos simply by moving the camera in the direction of the on-screen guides. Multiple shots are then combined into a single panorama photo. The angle of view can be selected from 180° (normal) and 360° (wide). The 3D shooting mode combines two images taken from different positions to create a 3D image that can be played back on 3D TVs and computers.
The P310 has a slightly springy shutter button, with the camera taking about 1/4 second to determine focus and exposure but with no discernible shutter delay thereafter. This is surrounded by a pleasingly tactile zoom lever. The zoom is pretty quick to respond, sound-tracked by a mechanical gnat-like buzz. Just behind the shutter release button is an annoyingly small but clearly marked on/off button, within which a a green LED briefly lights up to signify the power is indeed on. Give it a press and the P310 powers up very quickly in around 1/2 second, the lens barrel extending to maximum wide-angle setting and the rear LCD blinking into life.
Completing the P310's top-plate is a rather clever feature, a large, unmarked, thumb-operated dial for setting the shutter speed when the shooting mode is set to Shutter Speed Priority or Manual, or alternatively for setting the exposure compensation. We'd have welcomed the ability to customise its use, though - it would be nice to be able to set the aperture this way, for example, as the navigation wheel on the rear that does change this setting has a nice action but isn't as intuitive for anyone who has used a DSLR before. Still, dual controls for setting the aperture and shutter speed is very rare on any compact, so kudos to Nikon for including both on the P310.
The rear of the P310 has a 3-inch LCD screen with an impressively high 921,000-dot resolution, providing more than enough detail for you to be able to determine whether you have a sufficiently crisp image. To the right is a tiny flash recycling lamp and underneath that a handy one-touch movie recording button.
The Nikon Coolpix P310 can record full 1080p, 1920x1080 pixel HD movies at 30fps with stereo sound and full use of the optical zoom. It also offers a 720p mode at 1280x720 pixels (30 fps) and VGA mode at 640x480 pixels (30 fps). In addition there's a special High Speed mode which records at 15/60/120 fps (no sound) that can be played back in slow motion at 1/4 or 1/2 of the normal playback speed or in fast motion at twice the normal playback speed. The Creative Slider and Special Effects can also be used when shooting movies, and they can be played back on a HDTV via the built-in HDMI connector, although as usual there's no suitable cable supplied in the box. The P310 supports the CEC feature for HDMI which enables playback control using your TV's remote control.
Underneath the movie button is the self-explanatory playback button. Irritatingly there's no external button for controlling the screen display, just a menu option, and there's also no live histogram either (although the OK button does call one up in playback mode). Next is the familiar four-way navigation pad, which allows you to set the flash, exposure compensation, macro and self-timer options, in addition to moving through menus and selecting options, with an 'OK' button at its centre being the means via which changes can be implemented. Surrounding this is a circular wheel, a feature that has been "inspired", shall we say, by some of Nikon's main rivals. As previously mentioned, this is principally used to set the aperture, forming an intuitive partnership with the thumb-controlled dial, as well as performing the more mundane tasks of moving through menus and selecting options.
The Nikon Coolpix P310's familiar Menu button accesses the usual Nikon menu system, which is clear and easy to navigate. Press this when in any of the shooting modes and there are three menus, Shooting, Movie and Set Up, with two menus, Playback and Settings, available when you're reviewing an image. A big oversight is the almost constant need to use the menu system for setting the ISO speed, white balance, metering, AF mode and continuous shooting, with at least 4 button presses required to change these often-used features, although the new Function button does partially address this problem by providing quick access to one key function.
In playback mode, pressing the same Menu button affords access to image editing options including Nikon's exposure adjusting D-Lighting function, Skin Softening and Filter Effects, image slide shows, and the automatic Quick Retouch. A button to the right features the familiar trashcan icon for deleting images on the fly and completes the rear of the P310.
On the right flank of the camera - still viewing it from the rear - there's a metal eyelet for attaching the supplied shoulder strap and a plastic cover protecting the HDMI port. On the left hand flank is the release button for the pop-up flash. There's a centrally positioned, metal tripod mount on the bottom of the camera. The P310 is powered by a 1050 mAh lithium ion battery, good for around 230 shots, that slots into the base alongside the SD / SDHC / SDXC card slot and the the A/V out / USB port. Note that recharging the P310 is a somewhat convoluted affair, with the battery remaining in camera and requiring the battery cover to be closed.
CONCLUSION
The Nikon Coolpix P310 is a rather modest upgrade of Nikon's first foray into the world of pocket cameras for keen photographers, the P300, principally increasing the megapixel count from 12 to 16 and adding a handy customisable Function button. While the increase in resolution hasn't adversely affected the P310's image quality, it hasn't improved it either, remaining on a par with its predecessor as good rather than excellent. We also can't understand the continued absence of RAW file support on a camera that is clearly aimed at more advanced users.
The P310's 16 megapixel BSI image sensor produces noise-free images at ISO 100-200 but quickly starts to fall apart at ISO 400, getting progressively worse as you go up the range. The fast F/1.8 lens partly makes up for this, allowing you to use a lower ISO speed, but only at the wide-angle focal lengths, with the maximum aperture quickly becoming slower until you hit a disappointing F/4.9 at 100mm telephoto. The P310's overall image quality is pleasing, but simply not as good as its rivals.
While we love the P310's extensive feature list, high-res LCD screen and the ability to shoot full HD video with stereo sound, full use of the optical zoom and creative filter effects, we can't help but be disappointed by the inexplicable inability to shoot in RAW format, one of the must-have features for this class of camera and something that all of the P310's rivals offer. And although the addition of a Function button makes it easier to access one of the camera's most frequently used features, at least 4 button presses are still required just to change the ISO if you don't assign that function to the new control, something that will again annoy the P310's core audience.
Just like its very similar predecessor, the Nikon Coolpix P310 is a good compact camera for users looking for high-resolution images, full HD video and a degree of creative control. If you also want good results in low-light, RAW format as well as JPEG, and easier access to key settings, there are better options from other manufacturers. Ultimately the new Nikon Coolpix P310 doesn't improve that much on the previous P300 and again misses the mark as a pocketable companion to a DSLR or compact system camera.
Source: www.photographyblog.com
Panasonic Lumix DMC-FZ150 Review
The Panasonic DMC-FZ150 CMOS-powered 24X superzoom is a replacement for the slightly unloved FZ100 and incorporates a lower-resolution 12MP sensor that the company says will outperform its predecessor's 14MP chip. The camera retains a 25-600mm equivalent lens but now incorporating 'Nano Surface Coating' to mitigate the effects of internal reflections. And, just like its predecessor, the FZ150 retains the ability to record Raw images. The FZ150 also shoots 1080p60 HD movies in the recently-created AVCHD Progressive standard.
Panasonic Lumix DMC-FZ150 key specifications:
12.1MP CMOS sensor
25-600mm (equivalent) zoom
Articulated, 3in LCD screen with 460,000 dots
Built-in EVF
1080p60 movies in AVCHD format
Raw mode
Weight (with battery): 528 g (1.16 lb / 18.62 oz)
Dimensions: 124 x 82 x 92 mm (4.88 x 3.23 x 3.62 in)
Click here for full specifications, user reviews, sample images and more...
The FZ150 comes with a rechargeable battery and charger (with a solid rating of about 400 shots per charge), USB cable, shoulder strap, lens cap with attachment string, lens hood and a small printed basic manual. On the CD you'll find a full manual, SILKYPIX Developer Studio 3.1 SE, PHOTOfunSTUDIO 6.5 BD edition (both for Windows) and a link to a trial version of video editor Super LoiLoScope. You'll need a mini-HDMI cable for connecting the camera to an HDTV and an SD/SDHC/SDXC card to supplement the camera's 70MB internal memory. Oddly enough, one of several accessories is a 1.7x telephoto lens for the FZ150 (you'll need an adapter as well), if the camera's maximum 600mm focal range doesn't get you close enough to your subject.
Like all superzooms, the FZ150 is equipped with an LCD and EVF (electronic viewfinder). The 3-inch, 460,000 dot LCD is articulated and useful for shooting overhead or from low angles. Better yet, the monitor folds into the camera to protect its surface from scratches. The EVF is really small but generally bright and can be used when sunlight makes the LCD difficult to use. Even though the camera's image stabilization works quite well, bringing the viewfinder to your eye when shooting at telephoto also provides additional stabilization.
The camera features plenty of functionality and customization options but once you get into the finer details, be prepared to be slowed down by scrolling through Panasonic's typically dense menus. The good news though is that there's a Quick Menu, which brings up the most often changed settings helps speed things along. A few of the camera's notable features include advanced scene modes, which allow you to fine-tune the selected mode. For example, under Portrait, you can choose a Soft Skin option (one of four), that will smooth and hide your subject's skin imperfections.
The new 3D mode captures a series of images and selects two, which are combined (left and right) to form an MPO image that can be viewed on any MPO compatible device. Contrast, sharpness, saturation and noise reduction adjustments, raw, face recognition, and the ability to tag and upload images to Facebook and YouTube by simply connecting the camera to the computer are only a few other FZ150 highlights. While the external controls are pretty straightforward and easy to access, even experienced shutterbugs should check out the FZ150's manual to delve below the surface of this feature-packed camera. Go to the internal main menu and you'll find no fewer than 5 'pages' of options in the Record section alone.
Performance and Image Quality
Overall, the FZ150's performance is quite good, with little shutter lag, relatively fast shot-to-shot times and very responsive autofocus. Continuous shooting speeds abound, so you're more likely to catch action shots with the FZ150 than with many other cameras. Full JPEG resolution is available at 2, 5.5, and 12 fps, although at 12fps autofocus and exposure are set at the first frame. The camera can also speed along at 40fps and 60fps if you can live with the lower resolution (5 megapixels and 2.5 megapixels, respectively).
Default JPEG image quality at full resolution is very good and, if you don't like what you see, there's plenty of scope for adjustment with color, contrast, saturation, sharpness and noise-reduction sliders all available. By default, colors are pretty accurate and nicely saturated (especially if you prefer slightly vivid images). Exposures can be a bit tricky, though - the FZ150 has a tendency to blow out highlights but exposure compensation is on hand if you want to dial things back a little (you can also get better highlight dynamic range in raw mode).
Compared to the FZ100, image noise is well-controlled, and not too obtrusive even up to ISO 800. You can go a little higher if you need to but be prepared to keep your prints relatively small (or shoot raw and commit to spending a little time adjusting the images on a computer). With such a massive zoom, camera shake is always a risk towards the long end, but thanks to the FZ150's effective image stabilization system this isn't much of an issue in normal lighting conditions.
Raw Mode
Although we suspect most FZ150 buyers will probably plump for JPEG capture most of the time, experienced or adventurous photographers will appreciate the option to shoot in raw mode, too. As always, the benefits of shooting in raw mode compared to JPEG are that you can take much more control over the appearance of your images after they are captured, without running the risk of degrading image quality. As well as tweaking the white balance and exposure you can also adjust sharpening and noise reduction.
The FZ150's default JPEG image quality is perfectly good, but, you can draw a lot more detail out of its raw files if you're prepared to put a little time into post-capture adjustment. This applies expecially to high ISO images, which in JPEG mode can look rather blotchy at 100% thanks to the effects of the camera's noise reduction setting.
Video
Video can be captured in either AVCHD or, for easier editing, MP4. With AVCHD, you can record in full HD (1920 x 1080, including one option in AVCHD progressive) at 60fps, as well as AVCHD Lite at 1280 x 720 at 30fps. In MP4, choices are 1920 x 1080, 1280 x 720 or 640 x 480, all at 30fps.
The zoom lens and image stabilization are enabled during video capture. Unless you're recording in a very quiet place, in our experience the zooming mecahnism shouldn't be audible; a wind cut filter is available, as is the option to use an external stereo microphone. Face Detection, automatic dynamic range and other auto features are also enabled during recording and work well to produce solid videos.
Video performance is very good - 60p full HD footage is nice and detailed, and although not up the quality of an external microphone the FZ150's inbuilt stereo mic does a decent job in day to day use. Watch out though - as you can see from the samples further down this page, at its maximum video quality setting, the FZ150's files are massive. Even clips of 30 seconds or less can easily end up occupying more than 100MB on your memory card.
Conclusion - Pros
Really useful 25-600mm (equivalent) lens range
Very good JPEG image quality, with provision for shooting in Raw mode
Lens impressively sharp with generally good sharpness at all focal lengths
Effective image stabilization
Good high ISO capability for its class (and much better than FZ100)
Excellent video specification and good, detailed results
Effective built-in mic (although stereo separation could be better) and provision for external mic
Conclusion - Cons
Slight tendency to highlight clipping in some situations
EVF a little 'pokey' and prone to RGB tearing
Noise-reduction takes the edge off fine detail above ISO 400 (but can be tweaked)
High-quality video files are massive
Overall conclusion
Megazooms are alive and well, despite all the attention given to smaller, compact interchangeable lens cameras. And Panasonic has done a good job with its latest long zoom, the 12 megapixel FZ150. In challenging conditions the FZ150 gives better image quality than its predecessor thanks, in great part, to Panasonic's decision to go with a much more capable 12 megapixel CMOS sensor instead of the FZ100's unimpressive 14MP unit. A wide angle, image-stabilized 24x (25-600mm) zoom, raw mode, full manual and automatic controls, an articulated LCD, full HD video and 3D capture are only some of this highly capable camera's feature highlights but look away from the impressive spec sheet and you'll find that image quality is very good too, across the span of the camera's 24x optical zoom lens.
Although the FZ150 faces stiff competition from the new generation of megazoom compacts announced this year, it is still one of the best cameras of its type on the market. It combines an expansive feature set, great performance, and enough still and video options (and quality) to keep enthusiast photographers and casual videographers happy. At a street price of around $450 the FZ150 isn't exactly cheap, but compares well with competitors like Sony's new CyberShot HX200V and Nikon's Coolpix P510 (both of which we're hoping to put through their paces soon).
Source: www.dpreview.com
Sigma SD1 / SD1 Merrill In-depth Review
The SD1 created a huge amount of interest when it was announced at Photokina 2010. Having used Foveon's original 4.7x3MP sensor in its SD and DP series of cameras, Sigma bought the sensor company in 2008 and instructed it to focus its efforts on high quality stills photography. The result was a 15x3MP sensor of the standard APS-C size (approx. 24 x 16mm, slightly larger than Foveon's previous designs), and it's around this that the SD1 is built.
The SD1's original pricing caused a great deal of dismay; at an RRP close to that of the professional full-frame Nikon D3X and Canon EOS-1Ds Mark III SLRs, it was placed at a level most Sigma users found entirely unattainable. However almost a year on, after what we'd assume must have been disappointing sales, Sigma relaunched the camera as the 'SD1 Merrill' with a dramatically-reduced price tag.
The SD1 Merrill still isn't cheap, though, in fact it's one of the most expensive APS-C SLRs on the market. But at a price of around £1800 / € 2100 / $2300, at least it's now in the same ball park as top end models like the Canon EOS 7D and Nikon D300s. As such, it's graduated from being a distinctly niche product to one that many more professional and enthusiast photographers might plausibly consider buying.
The SD1 is a camera with a solid specification, though not one that particularly stands out in the enthusiast-grade DSLR sector. In terms of size and body design, metering and autofocus systems, and external controls, it's most comparable to the likes of the Canon EOS 7D, Pentax K-5, Nikon D7000 and Sony SLT-A77. What it doesn't offer, though, are two features that have become standard over the past few years - movie mode and live view. We suspect that the omission of video capability may not lose it too many buyers amongst its target market, but for a high-resolution camera that would seem particularly suited to studio work, the lack of live view (and the critical focusing and composition it allows) could be a deal-breaker.
The other potential hurdle for the SD1 is its use of Sigma's own SA lens mount. The company builds a wide range of lenses for the mount, and many of them are very good indeed. But we ask ourselves how many people will be willing to risk spending money building up a collection of lenses for a non-mainstream mount. It's also worth noting that few of Sigma's lenses offer any form of weather sealing to match the camera body.
Foveon sensor
Obviously the Sigma's defining feature is its 15x3MP Foveon sensor. For those of you who haven't come across the technology before, it uses a fundamentally different method for detecting color than any other camera sensor. Almost all other cameras place a pattern of colored filters in front of their sensors so that each individual photo site is only receives either red, green or blue light. To create a full-color pixel in the final image, clever mathematics is applied to estimate the values of the two unmeasured colors, based on the amount of those colors captured by adjacent photos sites.
Foveon's technology doesn't use filters - instead it uses the fact that different colors of light can penetrate silicon to differing extents. Foveon's chip measures the number of photons captured at three different depths corresponding to how well Red, Green and Blue can penetrate the chip. The main advantage of this is that, unlike other digital cameras, the Sigma measures all three colors at every one of its 15 million photo sites, capturing three times as much color data per-pixel as a conventional sensor. (Hence the company's reference to it being a 46MP camera.)
Because the Foveon sensor captures full color data at each pixel location, it's not susceptible to color moiré - false color patterns that are the result of those clever calculations occasionally getting things wrong, for example with finely-woven fabrics. Traditional Bayer-pattern sensors suppress this by using an optical low pass (or anti-aliasing) filter that slightly blurs the image at the pixel level, reducing the camera's resolution. The Foveon sensor doesn't use an AA filter, and is therefore able to resolve substantially more detail than its pixel count alone might suggest - in principle the SD1 has the potential to produce resolution similar to a 30MP Bayer-type sensor.
Sigma SD1 specification highlights
- 15x3MP Foveon X3 CMOS sensor
- ISO 100-6400
- 11-point AF sensor (all cross-type)
- 5 frames per second continuous shooting
- 460,000 dot LCD screen
- Shutter capable of 1/8000th second and rated for 100,000 cycles
- Per-lens AF fine tuning
Sigma says the SD1 Merrill is functionally identical to the SD1, and our experience with the two cameras supports this entirely. The only visible differences between them are that the new model has 'Merrill' written on the back of the camera and on the baseplate serial number sticker. They also require different firmware files with different version numbers, but we suspect that this is purely to accommodate the change in model name within the EXIF data.
The SD1 Merrill sports its revised moniker as a discreet badge below the LCD display. The revised model name also appears in the camera's EXIF data.
If you're new to digital photography you may wish to read the Digital Photography Glossary before diving into this article (it may help you understand some of the terms used).
Conclusion / Recommendation / Ratings are based on the opinion of the reviewer, you should read the ENTIRE review before coming to your own conclusions.
The SD1 features a new body, significantly evolved from the design of the SD14 and 15. The external shell is constructed of magnesium alloy, and feels solid in your hand with no creaks or flexing. The result is a very conventional camera (in the best possible sense) with twin control dials and direct access buttons for all of the key photographic settings, making it quick and easy to operate with the camera to your eye.
The buttons that were clustered on the top-right-hand shoulder on previous Sigma models are spread out more sensibly across the top of the SD1. While they're not necessarily perfectly placed from a comfort perspective (especially the ISO button), they're sufficiently well separated so you can find the right one by touch alone. The side-effect of this rearrangement of buttons is the loss of that endangered species, the top-plate LCD, which is replaced by a comprehensive status display on the rear screen.
Body Elements The built-in pop-up flash has a guide number of 11 (ISO100/m), and can provide coverage for lenses as wide as 17mm. It lifts far enough up to avoid shadowing with the DC 17-50mm F2.8 EX OS HSM lens (which is probably the SD1's most natural companion).
The flash can also wirelessly control Sigma's EF DG Super series external units.
The hotshoe has contacts for fully dedicated operation with Sigma's own flash units, such as the EF-610 DG Super.
There's also a standard PC sync socket for studio flash use (see below).
The SD1 includes an LED AF illuminator lamp in the recess between the lens mount and the handgrip. Its position means that it only works with the center AF point. It can also be blocked by larger lenses. It can be disabled in the camera's menus.
This lamp is also used for red-eye reduction with the built-in flash.
The SD1 is compatible with Sigma's RS-31 wireless remote control; the receiver is placed on the front of the camera at the lower right corner. Sadly there's no receiver on the back for when you're shooting from behind the camera.
The tripod mount is centered with the lens, and there's plenty of space around it for a quick release plate.
The SD1 Merrill wears its full name on the baseplate sticker, where the original model (shown here) just says 'SD1'.
The compact flash card slot lives behind a conventionally-positioned spring door at the back of the handgrip. The compartment is sealed against dust and moisture ingress.
With no HD output to worry about, the SD1's connectors are fairly minimalist - there's a flash sync port, DC power input, USB/AV connector, and socket for the CR-21 cable release.
Oddly, the latter has no half-press position for focusing before releasing the shutter. Coincidentally, the camera will also work with the easier-to-find Canon RS-60E3 release, or its third-party clones.
The SD1 uses the familiar BP-21 battery, with 12Wh capacity; however Sigma appears not to have published a CIPA battery life rating.
The battery itself sits behind a latch-operated door with environmental seals around the edges. The door can be removed for the addition of the PG-31 vertical grip.
The SD1 uses Sigma's own SA mount - so you can only use Sigma lenses. A wide range is available, but only a very few are weather-sealed The SD1 has a standard APS-C 'crop factor' of 1.5x (the company's older cameras were 1.7x).
As with previous Sigma DSLRs, the camera features a protective anti-dust screen at the front of the lens mount.
Source: www.dpreview.com/
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